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This video has timestamped descriptions to allow viewers to jump to particular topics and sections. Links will open the video in YouTube.
Who are you, and what’s your relationship with the OVNI collective? (0:20)
When, where and why was OVNI conceived? At the time, what was the source of inspiration? (1:50)
Is OVNI a collective? What is your legal structure? (6:07)
Are there any salaried employees in the collective? (7:27)
How does a collective that’s been around for 25 years perceive a historical event like the 15M movement? (8:11)
We have here an “Observatory of Unidentified Videos.” Why aren’t these videos identified? (10:14)
OVNI’s activity covers different areas: 1) The maintenance of a video-activist observatory “anarchive”; 2) Biannual meetings; 3) A website with a range of content, including “intro-texts” where you explain an idea in a hybrid format with showings, talks, shared reflections, etc., and the research blog. Why did you choose the format of an “anarchive” (anarchivo) and how is it different than an archive?  (16:21)
Who sends OVNI their works? What type of work have you gathered? (18:28)
How would you explain the OVNI gathering to a person who has never attended one? (23:16)
How can a reality that is sustained by images be transformed with images? (27:38)
Could you talk about your work incorporating text and blogs? (31:10)
What relationship is there between OVNI and Observatorio Sur? (31:56)
Can you explain what it means to work and live “rhizomatically”? (32:50)
What relationship do you have as a collective with the reality of public institutions? (35:11)
How does OVNI see its mission in a country where there’s a gag law? (38:51)  
After 25 years working on this nomadic rhizome, what sustains OVNI’s energy? (44:29)
This most recent OVNI event named for a ritual, a rite of passage: “The Way Back.” Why return to the ritual? (46:49)

We are small roots, a rhizome of people, a river that advances– searching, asking itself questions, and plucking questions from the air– both the external and internal air. The name Unidentified Video Observatory itself indicates a little bit just who we are. The collective and its members are not about borders. The borders of the organization are always in flux.

The Archive of the Observatory has an intentional, thematic nature. It facilitates a critique of contemporary culture, utilizing diverse strategies such as video art, independent documentary, and archaeology of mass media. The Archives house a constellation of disparate works whose common denominator is free expression and reflection upon collective and individual fears and pleasures, constructing a multifaceted vision, thousands of small eyes, which explore our world, and suggest other possible worlds. These works represent a discourse whose core values are heterogeneity, plurality, contradiction, and the subjectivity from which they are realized. They also embody a rejection of the cloning and repetition characteristic of corporate mass media. Source